First published in 1609, Shakespeare’s sonnets are among the most accomplished and absorbing poems in the English language. They are also some of the most beloved and have enjoyed a vibrant afterlife, with continued readings, recitations, and reprints fortifying Shakespeare’s claim in Sonnet 60: “My verse shall stand”.

These remarkable poems do not stand alone however, but rather, alongside the many works that they have inspired. Responses have included music, art, dance, and, most frequently, poetry, with recent rejoinders by poets Jan Bervin, Philip Terry, and Don Paterson. As part of the Shakespeare400 celebrations, we have sought to continue this tradition of response and reinvention by inviting 30 fellows of the Royal Society of Literature to write their own personal poetic response to the sonnets. 

The resulting collection, On Shakespeare’s Sonnets: A Poets’ Celebration, contains works by some of the best and best-known poets writing today, including Simon Armitage, Jo Shapcott, Paul Muldoon, Carol Ann Duffy and Roger McGough. The book contains love poems, angry poems, poems of grief and loss, poems of joy and laughter. The poets write in their own form, voice and style, sometimes working within the sonnet form and sometimes breaking out of it. At times the engagement with their chosen Shakespeare sonnet is detailed and sustained: at others a single word, phrase or metaphor prompts the response.

The publication of the collection was marked by a launch event at King’s in February 2016, where ten of our contributors offered readings of their poems and comments on the process of responding to Shakespeare. This model will be continued over the course of the year, as our partnership with the British Council allows our contributors to travel the world and discuss their poems on an international stage. Closer to home, the collection has also inspired a schools poetry competition for London students to offer their own poetic responses to Shakespeare’s poetry. 

These various additions to the afterlife of Shakespeare’s work chime with one of the central preoccupations of his sonnets – the act of memory, of how the poet and his lovers will be remembered after they are gone - and as such, these poems make a particularly fitting place at which to pause and commemorate Shakespeare himself.